The shift to Warner Bros. brought better production but also a flood of maxi-singles packed with remixes. Here is the breakdown of what to search for in the Blogspot archives.
If you're interested in exploring more, I can suggest some popular REM fan blogs and websites that offer exclusive content:
Known for ranking the entire discography from best to worst, often sparking debate by placing Murmur as the definitive peak. Commercial Highlights (For Context) rem discography blogspot exclusive
As for Blogspot exclusives, I found that there are several fan-made blogs and websites that offer exclusive content, including rare photos, lyrics, and reviews of REM's discography.
An exclusive Blogspot deep dive into the complete R.E.M. discography. From the IRS years to the Warner Bros. era, uncover rare bootlegs, vinyl rips, and B-side treasures you won’t find on streaming services. The shift to Warner Bros
R.E.M.'s debut single, "Radio Free Europe," was released in 1981, but it was their debut album (1983) that introduced the world to their unique sound. Recorded on a relatively low budget, Murmur showcased the band's jangly guitars, driving rhythms, and Michael Stipe's distinctive vocals.
The late 1980s and early 1990s are often referred to as R.E.M.'s "Golden Era." (1987) was a commercial breakthrough, with tracks like "The One I Love" and "It's the End of the World as We Know It (And I Feel Fine)." The album's success was followed by Green (1988), which featured the hit single "Stand." Out of Time (1991) was a major departure from the band's earlier sound, with the incorporation of more pop and rock elements. The album spawned several hit singles, including "Losing My Religion" and "Shiny Happy People." If you're interested in exploring more, I can
The early 1990s saw R.E.M. experimenting with new sounds and styles. (1992) was a critically acclaimed album that featured the hit single "Man on the Moon." The album's sound was characterized by lush production and introspective lyrics. Monster (1994) was a more aggressive and distorted effort, with tracks like "What's the Frequency, Kenneth?" and "Crush with Eyeliner." New Adventures in Hi-Fi (1996) saw the band continuing to push the boundaries of their sound, with tracks like "Bittersweet Me" and "Electrolite."