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This paper examines the transformation of Indonesian popular video entertainment from the fall of the New Order (1998) to the current digital era (2020–2025). Initially dominated by state-controlled television and formulaic sinetron (soap operas), the industry has fragmented due to the rise of over-the-top (OTT) platforms and user-generated content. Analyzing YouTube’s top Indonesian creators, local streaming originals, and viral TikTok trends, this study argues that Indonesian entertainment is characterized by three key features: (1) (e.g., religious vloggers, hijrah influencers), (2) localization of global genres (e.g., horor komedi and dangdut remixes), and (3) algorithmic populism , where viewer metrics increasingly dictate narrative production. While digitalization has democratized content creation, it has also intensified debates over censorship, copyright, and the erosion of traditional production houses (e.g., MD Pictures, SinemArt). The paper concludes that Indonesian popular video is no longer a mere imitation of Western or Korean templates but a distinct hybrid industry shaping Southeast Asian youth identity.

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Why is everyone in Indonesia trying to be a content creator? Because it pays. This paper examines the transformation of Indonesian popular

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Indonesian entertainment has not only become a significant player in the global market but also plays an essential role in promoting Indonesian culture and values. Indonesian artists and entertainers have used their platforms to showcase the country's rich cultural heritage, from traditional music and dance to contemporary art and fashion. The global reach of Indonesian entertainment has also helped to promote cultural exchange and understanding between Indonesia and other countries.