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Cinema has updated this theme with remarkable nuance. In Sofia Coppola’s Somewhere , a drifting actor forms a tender, platonic intimacy with his young daughter that serves as a mirror to the maternal dynamic. More directly, Paul Thomas Anderson’s The Master reimagines the Oedipal conflict as a battle between a damaged son (Joaquin Phoenix) and a charismatic, quasi-maternal cult leader (Philip Seymour Hoffman). But the most devastating modern portrait is perhaps in Paul Thomas Anderson’s Phantom Thread —a lover who becomes a mother-figure to the childish genius Reynolds Woodcock, famously declaring, “I want you flat on your back… so I can take care of you.”

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