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One participant, Matteo, suggested making the recordings available to other researchers and fans through decentralized sharing—no DRM, no commercialization—so anyone could study, remix, or learn. The word "torrent" surfaced, not as piracy but as a practical tool for distribution among peers who valued access over profit. Marco worried: torrents implied loss of control and, possibly, disrespect. Laila argued that their purpose was preservation and creativity. They chose to release the raw sessions under a permissive license, accompanied by Marco’s meticulous discografia completa notes, contextual essays, and time-stamped annotations for each improvisation.
Studio Albums:
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Suonare Suonare , Come ti va in riva alla città , PFM? PFM! , Miss Baker , Ulisse , Serendipity , Dracula , Stati di immaginazione , A.D.2010 - La buona novella , PFM in Classic , Emotional Tattoos , I Dreamed of Electric Sheep . Where to Access Their Work
