At the three-minute mark, the chorus hit.
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Ending the Sentence Differently If I return to August 31 and speak the line again, I try to end it differently. Instead of letting “She ruined me” stand alone, I append a clause that refuses totality: “She ruined me, and I learned how to build out of the wreckage.” The addition is small but decisive. It refuses the finality of ruin and insists on the possibility of craft and continuation. At the three-minute mark, the chorus hit