The exclusive is still out there. Buried under a floorboard. On a hard drive. At a multiplex that was demolished in 2011.
Open the final scene in Karnak. When Rorschach screams, "DO IT!"—look at the top of his hat. watchmen 2009 directors cut open matte 1080 exclusive
When the film started, Elias gasped. The frame was cavernous. In the opening fight between The Comedian and his assassin, the open matte revealed a sprawling depth. He could see the dust motes dancing in the far corners of the penthouse, the structural geometry of the room that the letterboxed version had suffocated. The exclusive is still out there
Does it ruin the composition? Classic film theory says yes. Widescreen forces the eye to read horizontally. Watchmen is a deconstruction of comic books—a horizontal medium. By opening the matte, you invite the eye to wander up and down, potentially distracting from the narrative flow. At a multiplex that was demolished in 2011
At the two-hour mark, during the scene where Dr. Manhattan reflects on Mars, the camera panned wider than it ever had in the digital release. In the bottom right corner of the frame—hidden in the 'dead space' that was supposed to be cropped out—Elias saw a man. Not a character. A man in a modern suit, standing perfectly still on the Martian sands, holding a clipboard and looking directly into the lens. Elias froze the frame. He zoomed.