: Use a "two notes on one string, one on the next" pattern to break up predictable shapes. Zigzagging
Take a standard ii-V-I in C major: . Instead of playing Dm7, play Fmaj7 (which is Dm9 without the root). Instead of G7, play Abm7 (creates a tritone sub sound). Instead of Cmaj7, play Em7 (C major 9 sound). advanced arpeggio soloing for guitar pdf top
Downloading a PDF is easy. Internalizing it is war. Here is the 3-step protocol used by session pros. : Use a "two notes on one string,
: Instead of just ascending or descending, play arpeggios in groups of three or four notes (e.g., 1-2-3, 2-3-4). Horizontal Octave Shifting Instead of G7, play Abm7 (creates a tritone sub sound)
: Combine two different triads to evoke specific modes or exotic scale sounds. Extended Arpeggios 9 raised to the t h power 11 raised to the t h power 13 raised to the t h power